Koslo goes down: overacting injury suspected.

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Thursday, June 21, 2007

KOSLO GOES DOWN: OVERACTING INJURY SUSPECTED. Remember how I said yesterday that Corrine was entertaining? Well, we came in today to find that Corrine has slipped a tendon in one of her ankles. I claim it was from the work she was doing yesterday, but she insists it’s an old injury that has recurred because we are rehearsing in bare feet. So, much of her day was spent wheeling around the rehearsal halls in an office chair. An interesting design choice for ancient Greece. She went to an osteopath who she says was absolutely brilliant, and will have her back on her feet in no time. 

More music rehearsals this morning. Always exciting. This time we were in the Music Room, which I’m quite sure is meant for tutorials. So when there are 12 women, 2 musicians,  a choreographer and an assistant director in the room, it’s pretty cosy. And we are making a lot of sound. So my head was vibrating by lunch time. 

After lunch we had a lecture on Greek history as it relates to The Penelopiad by Leanne Hunnings, a student of the classics. It was great. Just getting some details about the world from someone who has really studied it. And she had some wonderful ideas about the book. She said there were lots of her geeky classicist friends who were very excited about seeing this play. And you have to give her credit: she sat there in front of all these theatre professionals and acted out little sections of the book that she was quoting in her lecture. And she did a great job! And gave us great information about the gods, the myths of Penelope, and the status quo of the Maids. 

This inspired a good discussion of the play, which is more meat for us to chew on. Mostly to do with the Maids and what their sexual experience might be. Certainly the slaves of the time would have been subject, even sexually, to the whims of their masters. We are trying to sort out how this works in the play. Who does the ownership revert to when Odysseus is away and presumed dead? This is what we spend our days trying to figure out. Fun. And pretty nerdy. Yum.

Pronunciation was another product of the chat. Any takers on how to pronounce “Penelopiad”? Josette has asked Margaret Atwood, who basically said, “Well, how would you say it?” So Josette is reticent to make a choice. All these Greek names, and thirteen actors to provide innumerable pronunciations. Apparently we will have phonetic pronunciations which will standardize things for us.

At the end of the day we read the Arrival at Ithaca, and put a small part of it on its feet. 

A brief word about our stage managers: We have three great stage managers, Janet, Gabs, and Sally. Things are a little different here, and it takes a little getting used to the differences in practice. Janet is the Stage Manager, but is not in the rehearsal hall at all, and will not be calling the show. But she takes care of structuring the call, and I’m sure lots of other stuff that I don’t really know about. Gabs is the Deputy Stage Manager, and she is in the hall with us. She will be calling the show apparently, but not from the back of the house. And Sally, the Assistant Stage Manager, who is not with us yet in rehearsal, but will certainly be with us once we start running. She will be backstage with us. We also have a Company Manager, Jondon, who takes care of our other needs within the RSC. Basically he is the first person we turn to when we don’t understand how the phone works, or where to get Indian take-away. These are the folks that are our lifeline. Always. What would the theatre be without stage managers? We’d still be prostitutes, making theatre on wagons pulled by horses. Hmmmm.

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